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While you can still easily move between the different versions, and edit sections from them into a ‘master’ take, the more compact display format is less likely to leave you lost in an endless stream of takes and tracks. Instead of having multiple lanes spread across multiple tracks, you see a much tidier ‘one Track Version at a time’ display. When working with a multi-mic recording, particularly when you have lots of mics and lots of takes, I find Track Versions easier to work with in the Project window. New Track Versions can be created directly from the Track List. I used a modest six-track drum recording to keep the example simple, but the more complex the recording, the more likely it is that Track Versions will be easier to work with than Track Lanes. This makes it more suitable for use with longer takes - perhaps capturing a number of whole performances from start to finish, from which you intend to comp the perfect version. Instead, if you want to record a new take, you must create a new (initially blank) ‘version’ prior to recording. Track Versions, on the other hand, doesn’t generate new versions in cycle recording mode automatically. And, as described in the August 2011 column, comping something like a lead vocal from a set of lanes is a perfectly manageable task. You can, therefore, let the performer cycle through the song section a number of times without interrupting the artist or any need to start and stop the recording between takes. The most obvious advantage is that, in cycle record mode, new lanes are created automatically. Whether working with MIDI or audio, if you’re dealing with a single performer and working on a single section of a song at a time (an individual verse, chorus or solo), the Track Lanes approach has its merits. Yet both Track Lanes and the newer Track Versions have their uses. It makes the recording and management of multiple takes from a multiple microphone configuration much more efficient in some scenarios.
#Level a track in cubase 3 pro#
But Cubase 7.5 introduced a feature called Track Versions, which our reviewer Mark Wherry likened very favourably to Pro Tools’ Playlists. In previous workshops, I took you through the process for recording, and ‘comping’ both lead vocals ( SOS August 2011) and multi-track drum recordings ( SOS February 2012) using Cubase’s Track Lanes facility. But, when I learned to use it… well, it became an essential part of my workflow.Cubase’s Track Lanes system is great for speedy comping, but Track Versions brings plenty more to the party. When the chord track was announced, I was excited.
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I’ve produced and recorded, edited and mixed in Cubase for years and I’ve always been quick to adopt new features with every new version. If you’re new to Cubase and trying to identify production best practices, then you’ll certainly want the Chord Track to feature in your workflow! Thanks for check out this course – stick around and learn from my experience! If you’re a seasoned Cubase user who isn’t taking advantage of the Chord Track, this course will offer you a quick jumping off point.
#Level a track in cubase 3 how to#
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